![]() FIXED Modal dialog placement was unpredictable - now everything appears on center of active display.FIXED NKA files would silently fail being written to disk under certain circumstances (affected certain Libraries, like EXHALE).FIXED Sample-rate changes would cause crackles and changes of the sound of the convolution effect.FIXED Common loading time issue with commercial Libraries that was worked around by local batch re-save.FIXED The Phaser effect produced stereo signal with muted right channel when used with mono samples.FIXED The Transient Master effect stopped processing when there were no voices running, abruptly muting tails of other effects.CHANGED Improved performance on certain scripts using heavy image resources.ADDED New KSP command to set an instrument’s color including its header: set_ui_color().ADDED Parameter names are now visible in ProTools’ Plug-in Automation list.ADDED Official support for automation assignments via KSP, improving a previously undocumented, yet widely used feature.€” CHANGED The maximum height of instruments was raised to 750 pixels when set via KSP.ADDED New KSP command to enable instruments up to 1000 pixels wide: set_ui_width_px().ADDED Real numbers and advanced math functions are now available in KSP.CHANGED The user interface style has received a major update.All effects are inherent parts of the instrument, regardless of how many instruments are playing at once. A broad range of insert and send effects, including EQs, waveshapers, delays, and reverbs, are available to position the instruments in the mix. The comprehensive filter section offers 17 varieties from analog lowpass and highpass to exotic sound-design filters. The Tone Machines imprints a playable pitch onto the sample and maintains the same length across the keyboard. The Time Machine allows real-time manipulation of length, pitch, and formant. KONTAKT can play back each sample in one of three modes: classic mode, Time Machine mode, and Tone Machine mode. Unlike a conventional sampler, where pitch and length are always linked, KONTAKT's integrated granular resynthesis engine frees you to compose with pitch and timestretch independently. ![]() ![]() ![]() If an audio-process is not active, it is neither displayed on the screen nor calculated by the CPU. Filters, effects, and modulations can easily be added with one click. The semi-modular architecture of KONTAKT's audio engine corresponds exactly to its on-screen layout. KONTAKT's advanced design and dynamic resource allocation ensure that its audio engine is always running at optimal efficiency, for up to 256 stereo voices per instance on a standard computer. An outstanding sample library containing more than three gigabytes of sounds in various styles and categories is also included. Realtime time-stretching and resynthesis, graphical breakpoint envelopes, an integrated loop editor, analog-modelled filters, visually displayed modulation, and breathtaking efficiency create a sampler with the power to realize the most ingenious ideas. In addition to supporting all the standard sample playback and manipulation abilities of its hardware and software predecessors, KONTAKT adds several technologies to give sampling a new dimension. The result is an inspiringly fast and intuitively flexible sampler with exceptional sound quality. KONTAKT fuses an innovative design with an advanced sampling engine.
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